Chapter 24 - pertaining to quiz 7
Chapter 24 - pertaining to quiz 7 MUS 200-0003
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This 0 page Bundle was uploaded by Jenna Schneider on Monday December 7, 2015. The Bundle belongs to MUS 200-0003 at James Madison University taught by Professor VIcki Curry in Summer 2015. Since its upload, it has received 73 views. For similar materials see Music In General Culture in Music at James Madison University.
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Date Created: 12/07/15
December 2nd 2015 Impression in Art 0 Result of antiGerman sentiments Late 19th century that sought to recreate the impression of a single fleeting moment began in France amp centered around Paris part of nationalism French wanted their own music 0 Against representational art experience of a moment rather than exact rep camera was invented amp painters couldn t compete Spots of color amp short brush strokes create movement amp fluidity Importance of light 0 Artist Monet Renoir Degas Pissarro and Cassatt Long expressive melody Short motives Clear rhythms meters Obscure beat meter 0 Strong c 0 Anti climatic cadences Climaxes cadences Static undulating harmony Purposeful chord Color quot for its own sakequot progressions Color reinforces themes Melody motives rather than long themes use of a whole tone pentatonic and chromatic scales to obscure tonic Harmony static harmony instead of strong cadences use of 7th and 9th chords parallel motion Rhythm free exible rhythms with irregular accents Color soloistic writing emphasis on woodwinds and brass Texture varies from thin and airy to heavy and dense primarily homophonic Form adapted to the particular composition avoidance of traditional forms 18621918 0 Majority of his career spent in Paris Studied piano composition and music theory at the Paris Conservatory o Traveled to Italy Russia and Vienna thanks to his patron Nadzhda von Mack o Won the Prix de Rome in 1884 0 Works include Prelude to the Afternoon of the Faun 1894 Pelleas et Melsande opera 1902 two books of preludes for piano 0 Written to precede a stage reading of the poem the Afternoon of the Faun by Stephane Mallarme poet 0 Music not a programmatic depiction of the poem Illustrates dream like mood vague and elusive Exploits distinctive orchestral colors especially woodwinds more than melody o No repeating rhythms or clear cut meters 0 Static harmony Loosely constructed ternary form Midi d un Faune
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