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IC / Theatre / THEA 24200 / What led to the emergence of realism in western theater?

What led to the emergence of realism in western theater?

What led to the emergence of realism in western theater?

Description

School: Ithaca College
Department: Theatre
Course: History of Theatre II
Professor: Chrystyna dail
Term: Spring 2016
Tags:
Cost: 25
Name: Theatre History II, Week Two
Description: Notes on week two of Dr. Dail's History of Theatre II
Uploaded: 02/06/2016
3 Pages 44 Views 1 Unlocks
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WEEK TWO


What led to the emergence of realism in western theater?



2.1.16 

Realism: The Emergence of Realism in Western Theatre

Discussion: What is the nature and purpose of art?

-Realism came from a struggle to answer that very question

-1830s-1850s in Europe held a series of massive uprisings in response to industrialization and  urbanization

-Led to an attempt to theatricalize these events in a relatable, scientific way (beginning to  veer off from spiritual/mythical perspective)

-Emerged initially in France in 1853 when a literary critic began theorizing about realism -Influenced by Auguste Comte (1798-1857) (father of sociology, author of Positive  Philosophy and Positive Polity, both essentially lectures turned into essays), who  developed the doctrine of Positivism (scientific method to answer any question,  everything should be verifiable by five senses)  


What is the difference between true and romatic realism?



-He and Darwin searched for a scientific approach to life; interested in creating a  more equitable and effectively functioning society

-Emergence of Enlightenment led to loss of religion – they sought to develop  some kind of non-religious doctrine

-Charles Darwin (1809-1882), one of the most influential theorists of the 19th century -Wrote The Origin of the Species in 1859 to show that all life forms evolved from  common ancestry and developed based on natural selection, heredity, and  environment We also discuss several other topics like What are the various measures of location?

-Subsequently reduced the role of God, verified causality, confirmed that humans  are not the center of the universe and are victims of circumstance*, and showed  that progress (read: change) is inevitable


What is the primary role of modern directors?



-Dude had an absurdly profound impact on literally everything

*had the biggest impact on theatre; anything can happen

-In France (again, 1853), theatre attempts to replicate the scientific process on the stage via  Realism and Naturalism

-Naturalism came out of a literary movement in France and focused on the idea that  actual everyday life should take place onstage in real-time, which is super boring and  never went anywhere for obvious reasons

-Realism attempts to provide a truthful representation of the real world based on direct observation and written by an objective/impersonal/unbiased author

-Worth noting is that that’s pretty much how we, as a class, defined the purpose  and nature of art  

-Many saw Realism as avoiding the ideal and limited to unpleasant/boring subject matter;  considered fatalistic and potentially even amoral

-Everyone agrees that theatre should show you how to improve your life, but should it show you what life is actually like or an idealized perspective?

-True vs. Romantic Realism: complete reality in terms of design, current/contemporary  subject matter, domestic plot OR not necessarily We also discuss several other topics like Which colleges in the us established the first departments of sociology?

-Henrik Ibsen (1828-1906) is considered the Master of True Realism, but he only actually wrote  five plays that can be categorized as True Realism

-The Pillars of Society; A Doll House; Ghosts; An Enemy of the People; and The Wild  Duck (all written 1877-1884; meanwhile, he fathered an illegitimate child!) -He didn’t start or end his career as a realist We also discuss several other topics like When does majority-minority diversity occur?

-“Fated to be misunderstood in two centuries” – too radical for the 19th and too  conservative for the 20th 

-Often compared to Satan!?!

-August Strindberg (1849-1912), realist turned proto-expressionist Don't forget about the age old question of What led to the emergence of products linked to patriosm?
Don't forget about the age old question of What is the focus of anthropometry?

-Wrote Romantic Realism (aka Historical Romanticism)

-Read Emile Zola’s theories on Naturalism and used them to write Miss Julie, arguably  the first truly Realistic/Naturalistic play that didn’t suck

-Definitely a misogynist asshole, but definitely also brilliant

-His “Preface to Miss Julie” had a huge impact on many European directors, including  Stanislavsky Don't forget about the age old question of What are the similarities of all cells?

-The play successfully takes place in real-time (90 minutes of action in a 90-minute play)  and is written in the vernacular and for a completely realistic set  

-Aaaaaaaand then he was institutionalized and went through a tough divorce and stopped  writing for a while

-He eventually bounced back and got super into expressionism; wrote The Dream  Play in 1902 and had a huge impact on German Expressionism

-The Dream Play is believed to be his attempt to put Freud’s theories onstage -Madman or visionary!?!?!?

Review: Three Types of Theory

-Descriptive, Prescriptive, Prophetic

2.5.16 

Emergence of the Modern Director 

Primary functions of theatre directors: artistic unification; representing the playwright and  audience; organizing a working process; and working with performers

-So how did we get there?

Impetus for Producer-Director:

-The responsibilities of the director have always been around but have been held by various other positions over time

-For example, in Ancient Greece, it was the playwright, which was fine because  the audiences shared a common background/mindset; in France (i.e. Moliere),  same deal

-Shift came in the 19th century and created a need for one singular person at the helm to  unify everything

-New technology (i.e. gas lighting) creates new staging opportunities (no natural  light constraints, ability to move further upstage, etc.)

-Switch from acting companies to run-of-the-play contracts loses advantage of  having a common vocabulary and integrated ensemble from the start; that’s now  the director’s job

-Antiquarianism: the idea that everything in the play should be very specific to  the play (so directors were also, in many ways, the dramaturges)

-Emergence of realism

-Georg II, Duke of Saxe-Meiningen (1826-1914)

-Closest thing to a director prior was really a manger of a private theatre or an  actor/playwright attempting to oversee their performance

-He was the first to take an outsider’s view of the production – he had no other  stakes in the play or production; he just loved theatre, was an artist, and had a  huge understanding of total vision

-In charge of a small, 8,000-person duchy in Germany; started his own theatre  there (the Meiningen Players Theater)

-Duke by day, theatre artist by night!

-In charge of casting, set/costume/lighting design, etc.

-Expected the cast to work on a fully realized set in complete costumes from  rehearsal number one

-Rehearsal processes were as long as they needed to be (he was really in charge) -Intentionally cast actors as leads in one play and walk-ons in the next; dismissed those who dared complain

-Made sure every single action on stage had a distinct intention and purpose -He made actors; instead of auditioning them, he chose people and molded them  into what he needed them to be

-Big fan of mob scenes and giant casts on huuuuuge sets

-Ellen Franz (1839-1923)

-Georg II’s third wife

-Proposed, adapted, and translated plays; served as speech coach for actors -In today’s terms, she was more of a dramaturge or literary manager -Ludwig Chronegk (1837-1891)

-A pretty mediocre actor

-Exceptionally good at taking in everything Georg said and writing it down -Basically a stage manager/production manager

-Edited promptbooks and managed director and tours

-They went on TOURS (only as long as he was alive though)

-From 1874-1890, the Meiningen Players were the most admired theatre company in the  Western world

-Stanislavsky saw them perform on tour in Russia and that’s why acting is what it  is today (aka they were so fucking important and for some reason we don’t talk  about them anymore)

-Performed exclusively Western theatre

-Introduced historical accuracy in design, ensemble acting, and the idea of a  rigorous rehearsal process to Europe

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