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Super helpful exam outline, thank you :) (color coded too!!!)
ARCHITECTURE HISTORY
EXAM I STUDY GUIDE
Monuments – Green
Terms – Blue
Important Words to help you Remember – Red ***I Recommend you print this out and fold it for easy studying! Good Luck!!!
Title: Stepped
Pyramid and
Mortuary Precinct of Djoser
Location: Saqqara
Architect: Imhotep
- Idea of preserving body and memories
- Physically goes
upwards
- Intentionally built for
deceased
- Gives illusion of
architecture and
importance of papyrus
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Title: Pyramid of Khufu
Title: Pyramid of Khafre
Title: Pyramid of Menkaure
Location: Gizeh
- Made for deceased kings to honor them
and their importance
- Shape emphasizes
idea of becoming
closer to being a sun
god
- Low light
significance to
launch an afterlife
belief
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Title: Funerary
Temple of
Hatshepsut
Location: Deir el-Bahri, Egypt - Hatshepsut – One of
the first women
pharaohs
- Temple meant for
representation (She
wasn’t buried there)
- Built to create and
preserve herself
- Columns represent
bodies and strength
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Title: Temple of Hera I or the so-called Basilica
Location: Paestum (Italy)—the ancient name of the city is Poseidonia
- Earliest temple at
Paestum
- Town Hall
- Hera was the patron
goddess of the city –
dedicated to her
- Greek style
- Illusion made the
columns appear
vertical
Title: Parthenon
Location: Athens
Architects: Iktinos and Kallikrates
- Swelling of columns – thicker in middle,
thinner at top
- Building was burned by Persians
- Dedicated to Athena - Doric order temple
Title: Propylaia,
Gateway to the
Acropolis
Location: Athens
Architect: Mnesikles
- Gives a We also discuss several other topics like financial management final exam
regularization to a
non-regular space
- Monumental
entrance to the
Acropolis Rock
- Stopped construction possibly to save
materials for war
Don't forget about the age old question of udept
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Title:
Erectheion
Location: Acropolis
- Caryatids
- Porch of the
Maidens/Erechthion
- Irregular shape and
layout
- Built to replace “Old
Temple”
- Built to house all
shrines and rituals that
once took place there
Title: Temple of Apollo
Location: Didyma (Turkey) - Dedicated to god
Apollo
- The town’s most
important religious
building
- Statues and other
offerings to the god
were kept here
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Title: Sanctuary of Fortuna
Primigenia
Location: Palestrina
(ancient city name is
Praeneste)
- Dedicated to the
goddess Fortuna
- Most likely built by townspeople who
wanted to establish
themselves
Title: Pyramid of Gaius Cestius
Location: Rome
- Official of public
banquets
- According to his
will, it was
completed in 330
days
- Executed by his
heirs
- All facts based on
findings
Title: Forum
Location: Pompeii, Italy Economic,
religious, political
Pompeii center
Law courts
Columns used for support system
Most important
civic building
Title: Samnite
House
Location: Herculaneum, Italy
At time of eruption, about 300 years old
Atrium has a gallery on the walls
Very decorated
building
One of the oldest
Herculaneum
buildings
Three-sided Peristyle
Title: Temple of Portunus (or of Fortuna Virilis)
Location: Rome
Dedicated to
Portunus, a youthful
god associate with
water crossings and
seaports
Temple has iconic
Greek columns
Originally made to
imitate Greek Marble
Frieze decorated
Title: Pont-du-Gard or the Roman
Aqueduct
Location: Nîmes, France - Aqueduct
- “Bridge of the Gard” - Ancient Roman
engineering
constructed about
19 BC
- 155ft High
- Built without mortar
Title: Maison Carrée
Location: Nimes, France Only ancient temple to be completely
preserved
Introduced by
Augustus
Limestone
“Square House”
Carved and
decorated
Corinthian columns
Title: Forum of Augustus
Location: Rome
Second of
imperial forums
Built to rival that of Julius
Provide
additional space
for law courts
Title: Altar of
Augustan Peace (Ara Pacis
Augustae)
Location: Rome
- Built to celebrate the return of Augustus in
13 BCE
- Marble Roman
structure
- Senators, officials,
and Imperial family
are depicted on the
wall
Title:
Colosseum or the Flavian
Amphitheater
Location: Rome
- Built by Vespasian
- Inaugurated under
Titus
- Doric Order – Tuscan Column
- Ionic Order –
Corinthian Capital
- Pilaster
Title: Column of
Trajan
Location: Rome
Architect: Apollodorus of
Damascus
- Made of 20 blocks
- Purpose was to
perfectly/symmetrically
create a stair helix
leading to the top
- Trajan got the right to be buried within the
city
- Citizens were buried
outside of the city
Title: Basilica Ulpia in the Forum of
Trajan
Location: Rome
Architect: Apollodorus of Damascus
- Timber roof
- Usually flanked by
isles
- Creates an important public space for
public
announcements
- Very traditional
layout in Roman
world
Title: Domus Aurea or Nero’s Golden House, specifically the
Octagonal Room
Location: Rome
Architect: Severus and Celer
Nero forced to commit
suicide
He found ways to use
materials that were fire
resistant
Augustus wanted to build a marble city, but it turns
to powder when burned
They used bricks and
concrete in innovative
ways
Title: Maritime
Theater or Island Retreat at
Hadrian’s Villa
Location: Tivoli, Italy - Private space
due to arch/door
- Water circulates around middle
part
- In “Accademia”
idea of
replicating the
heavens
Title: Canopus
and Serapeum at Hadrian’s Villa,
Location: Tivoli, Italy
- Caryatids lining the Canopus
- Serapeum was
dedicated to the king
- Public space for
dining area
- Small waterfalls in
each room off of
circulation room
Title:
Pantheon
Location: Rome
- Oculus in center
- Steps counteract
forces, allowing
weight to be
supported
- Conventional
Exterior Façade
- Dome isn’t visible
from front
Title: Arch of
Constantine
Location: Rome
- Triumph over
Maxentius in 312
- Religious relationships – Walking into a
symbolic figure
- Round sections were
made around time of
Hadrian
- Column carvings made around Trajan time
Title: Rock-cut Temple
Location:
Mahamallapuram, India - Method of carving from solid natural
rock
- Purpose is for
religious reasons
- Creating religious and sacred spaces
Title: Cave
Temple
Location: Udayagiri, India - The caves have
long been
regarded as places
of sanctity
- Area of sacredness - Allowing no natural light
- Very small and
dark
Title: Kandariya Temple
Location: Khajuraho, India
- Hindu temple
- One of the largest and
tallest of surviving
temples in its area
- Dedicated to Shiva, who is represented by linga in
the main shrine known as
the womb chamber
- Association between
water and temple site –
part of Hindu worship
Title: Angkor Wat
Location: Angkor, Cambodia
- About 30 years to build
- Built by King Suryavarman II
- Dedicated to Vishno (Hindu)
- Largest monument of Angkor
group
- Became a Buddhist monument later on
- Represents the world and center of universe – Mythical mountain
Meru
Terms
- Aqueduct
o an aqueduct is an above-ground conduit for water, constructed in the Roman world using masonry arches resembling a bridge
- Basilica
o a Roman court building that has a rectangular ground plan, usually characterized by a tall, longitudinal hall on the interior and typically flanked by aisles
- Capital
o the topmost part of a column
- Clerestory
o a clerestory is the uppermost portion of a wall or building that is pierced by window openings so as to let in light
- Corinthian capitals
o located on columns belonging to a Classical order of architecture, can be recognized due to including acanthus leaves sculpted amid small scrolls as their decorative features
- Cornice
o the uppermost, projecting section of an entablature that also serves as the crowning element of a wall
- Doric Order
o The order of architecture with a system coordinated columns with an entablature where the fluted columns are not supported by bases, the capital consists of a simple cushion-like molding with an abacus on top, and the entablature features a plain architrave supporting a frieze composed of triglyphs alternating with metopes and capped by a cornice
- Entablature
o The upper, horizontal part of a Classical order supported by columns comprising architrave, frieze, and cornice
- Frieze
o A horizontal band, sometimes decorated with sculptural reliefs, running along the upper portion of a wall or just beneath a cornice or it may be that part of a Classical entablature that lies between the architrave and the cornice
Our professor has given an outline of what we’re going to have to do for the exam! I’ve included the format of the exam below for your convenience
Format of the exam
Please be prepared for the following items to appear on the exam:
∙ Identification and significance—Identify by title, and location (possibly, the architect) and discuss the architectural significance or meaningful contribution to history of the building; write in complete sentences.
∙ Compare or contrast—Compare two buildings (or establish a point of contrast) by writing an integrated paragraph that establishes a clear theme emerging from the comparison. In this context, the “comparison” analysis emphasizes a theme might emerge from similarities or differences between the two buildings. Please be sure to integrate your discussion of the two buildings into a single paragraph. Do not discuss each work separately; please do write in complete sentences.
∙ Long essay (at least four paragraphs)—The long essay asks you to consider a theme drawn from the assigned readings and class discussions with a focus on the theoretical concepts. An exemplary essay must include both an introduction and a conclusion that number among the four paragraphs (at least). In other words, you will be evaluated on the ability to formulate fully developed paragraphs that contribute to a unified essay in which you communicate your points persuasively.
∙ Terminology—There will be short answer items or fill-in-the-blank questions on the terms.
∙ You do not need to know the dates – though sometimes they are listed below.
Essay Question
One essay question will appear on the exam selected from the two options I am providing below. The essay question will ask you to analyze the assigned texts discussed during class meetings. It will be extremely helpful in each essay to mention the authors of the specific texts we have studied by referring to the authors and the specific points they raise in their texts and, when possible, to refer to specific buildings by their titles.
1. Develop an argument or a plausible scenario that explains why Pliny and Vitruvius were so concerned that architectural projects should integrate comfort, harmonic principles, proportional relationships, site selection, and solar orientation? Develop an essay arguing for a central point or theme that explains why both Pliny and Vitruvius united discussions of feeling at ease inside carefully designed structures and their concerns for climate or environmental conditions. Draw upon the issues raised by both authors in your essay.
2. Develop an argument about why the experiences of moving through a site influenced the planning of significant Greek and Roman spaces. Make the case that there were purposeful itineraries requesting that visitors walk or progress along designed sequences by drawing upon at least two of the
following authors: Petrarch’s description of the Acropolis; Pliny’s letters about his two villas; and Elizabeth Marlowe’s essay on the Colosseum valley. How did the two authors you have chosen argue that newly designed interventions forged significant responses to preexisting features of the sites?