Midterm Study Guide
Midterm Study Guide FILM 2700
Popular in HISTORY OF MOTION PICTURES
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This 2 page Study Guide was uploaded by Keturah Taylor on Thursday September 29, 2016. The Study Guide belongs to FILM 2700 at Georgia State University taught by Ahmet Yuce in Fall 2016. Since its upload, it has received 15 views. For similar materials see HISTORY OF MOTION PICTURES in Film Studies at Georgia State University.
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Date Created: 09/29/16
Key terms Editing: combination of different shots Mise-en-scene: everything in the shot Cinematography Pre-Cinematic Optical Toys Diorama (lacks motion) Zoetrope Phenakistoscope (inside illusion) Magic Lantern Camera Obscura (outside light source) Pre-Conditions for Invention of Cinema Slightly different images in rapid succession (frames) Phi Phenomenon Projection Flexible; Durable material Shutter Non-narrative Film Edison and Lumiere Brothers Edison Lumiere Brothers 16 Frames per second Theatrical/staged Depict daily life in real locations Studio environment Stable shot 52 Frames per second No editing Stable shot No editing Narrative Film George Melies and Edwin S. Porter Melies Porter Studio environment Studio env./real location Sci-Fi Fantasy Crime/action No camera movements Minor camera movements Self-enclosed Recognized he could omit unnecessary narrative events (most important difference) D.W. Griffith Inter Frame Narration (editing) 1) 180 degree rule 2) Eye line matching 3) Cross-cutting (know the 4 types) 4) Accelerated Montage 5) Altering the durations of shots Compliments of Inter Frame Narration Acting Matters Expressing use of lighting Multiple actions; single shot Camera movements* Camera angles* *Cinematography German Expressionism (1919-1924) Movement influencing the art of film-making Zeitgeist The Cabinet of Dr. Caligari Stylistic Elements by Importance o Mise-en-scene o Cinematography o Editing Film Noir (1940-1955) Flashbacks o External o Internal o Circular/frame narration *no cross-cuttings Soviet Cinema Marxism Kuleshov Effect Montage Editing
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