Description
Music 302 Exam 1 Study Guide
Instruments
Mande
1. Balafon (wood sound)
-Xylophone (idiophone) with gourd resonators (to create the buzz) used to use spider egg filaments on the gourds, now use rolling paper or thin plastic -Played with gum mallets on keys of different lengths
2. Kontingo ('Ngoni more common)
-5 string lute with a skin face
skin used to be snakeskin, now is goatskin
strings used to be horsehair, now are fishing line
-portable
-plucked
-top string is the highest pitch and usually vice versa
-usually played sitting
-neck goes through the body of the instruments Don't forget about the age old question of What are the components of language?
-precursor to the banjo (which was brought to the U.S. through the slave trade) 3. Kora (unique to Mande)
Don't forget about the age old question of What is the oxidation of aldehydes?
-21 strings with a raised bridge
-hybrid of the harp and lyre
-3 octave range
-gourd body
-cowskin face
-both hands needed to play
-pluck
-metal plate for buzz
Mbuti
Molimo
-Trumpet (aerophone) with a long tubular end
-Used in the Molimo Ceremony (major ritual) to communicate with forest spirits 1. Give thanks to the forest
2. Find balance after a bad event
Shona
1. Hosho
-gourd rattle
-accompanies Mbira dza vadzimu
2. Mbira dza vadzimu ("Mbira of the ancestors")
-22-23 key mbira
-most sacred instrument
-buzzers attached--buzz clears thoughts/worries
-mounted on wood
-keys pressed with thumbs
-pinkie in a hole while playing
-often played in a Deze (gourd or fiberglass shell or basin) for sound amplification held upright on lap If you want to learn more check out What is bandwagoning?
ringed with bottle caps
to Shona, sounds like whispering voices or tapping
Anlo-Ewe
Idiophones
1. Axatse: gourd with shells/beads/nuts
usually played sitting, hit against the thigh and palm of the hand
2. Gankogui: two-toned (low and high) bell
usually played sitting
'mouth' (the low part) must be closed off to enunciate
Membranophones If you want to learn more check out If only the price changes, what happens to the demand/supply curve?
-played in a 'family' of four usually from the same tree
-each has its own rhythm pattern
1. Atsimevu: the father, the tallest (must be tilted), open bottom; top and sides hit 2. Sogo: the mother, closed bottom
3. Kidi: the son, closed bottom like mother
4. Kaganu: the 'baby girl,' the smallest, open bottom like father, sounds as if is crying out for father, pleading
Cultural Terms/Concepts
Emic
-What music means to the members of a given society
-Insider view/knowledge
example: The Music of Africa (1974) by Kwabena Nhetia (born 1921)
Etic
-How music sounds to observers—not focused on the meaning
-Outside view/knowledge
-Music analyzed by comparative knowledge
example: Anthology of Music (1964) by Alan Merriam
Mande
Voice Styles
1. Sataro
-improvised declamatory style--sounds like speech
-prophetic proclamations
-proverbs
-wit/wisdom
-root of rap
2. Donkilo
-pre-composed basic melody of a song--sounds like singing We also discuss several other topics like What is an x company's estimate of monthly fixed factory cost?
Instrumental
1. BirmintingoIf you want to learn more check out What are the competitive conditions in food service?
-improvised virtuosic instrumental--interludes
2. Kumbengo
-short, pre-composed, repeated instrumental patterns (ostinato)
Jali or Djeli (Guinee)
-Griots to the Frensh
-Bards to the English
-Praise singers who give culture rather than entertain
-Oral historians—nothing is written down but is sung
-Spoke for kings and other important people
-Both professionals and specialists—only played one instrument of three
-Although in the lower class, possessed respect and power because of knowledge of everything about everyone
2 Classes
Sula: upper class
-royalty, merchants, farmers (landowners), Islam literates, warriors
-non specialists who bought items rather than made them and are not trained in a craft -intellectual, literate
Nyamalo: lower class
-occupational specialists—made things
-doctors, musicians (also wordsmiths), metalsmiths, woodworkers, potters
-by tradition, sons inherited their fathers' trades, and daughters married within their fathers' trades *Symbiotic relationship: both classes need each other
Mbuti
Molimo Ceremony (major ritual)
-If something goes wrong, the Mbuti believe the forest is asleep and awaken it with song and ritual 1. Give thanks to the forest
2. Find balance after a bad event
Molimo trumpet: long tubular end, blown aerophone
communicates with forest spirits
Shona
Two Instrumental Interlocking Parts
1. Kushaura: "to lead;" odd number beats
2. Kutsinhira: "to follow;" even number beats; starts one beat off from Kushaura -both same pitch
-echo effect, can sound like question and answer
-interlock is the most important idea in layout and music
Three Vocal Elements
1. Huro: high pitched vocal yodeling style
2. Kudeketera: melody with words in normal (mid) vocal range
usually poetry, prose, one line repetition to tell a story
3. Mahonyera: low-pitched syllabic moaning--just sounds
Bira Ceremony
-A trans induction ceremony to inspire a spirit medium through music
-Held if someone is sick and medicine fails to heal him
-Seek healing and spiritual restoration through communication with ancestors -Mbira most direct way to communicate with the spirits of ancestors
-Professional Mbira players are hired to try to get an ancestral connection by playing songs ancestors might prefer
Anlo-Ewe
Rhythmic integrity
-the most important attribute of music
-maintaining rhythm in conflict and confusion, sticking to one's purpose
-relates to Anlo-Ewe outlook on life
Musical Terms
Organology: the study of musical instruments--how they're made and how their sounds are produced Self-Delectative: One person is both the producer and consumer of music.
Aesthetic
-What is beautiful/pleasing; one's sense of beauty
-Perception through the senses
Taste
-Discerning what is appropriate
-Often based on culture, society, personal liking or disliking
Criticism
-Analysis and evaluation
Analysis
-Separation of a whole into its components
Elements of Music
Pitch
-Scientific definition: the frequency of vibrations per second
more frequent- higher pitch
less frequent- lower pitch
-Musical definition: the location of sound in the tonal range proceeding from low to high -Relative pitch: the ability to sing a melody at different pitches without identifying the notes Absolute pitch: the ability to identify notes by their differing pitches
Rhythm
-General definition: a pattern of movement in time
-Musical definition: a patterned configuration of attacks (strikes on the drum, plucks on the guitar) -Two types:
Periodic: occurring at regular and measurable intervals
Non-periodic: not occurring at regular and measurable intervals
Beat
-An underlying, periodic metrical pulse
-What the conductor demonstrates and what is danced to
-Metrical/meter: the pattern in which a steady succession of beats is organized examples: in a meter of three, beats are groups in threes (1,2,3, 1,2,3)
four is the most common meter
Tempo
-The rate or speed of the beat
Dynamics
-The volume or loudness of a sound
Sounds have 4 common parameters:
1. Pitch- highness/lowness
2. Dynamic- volume
3. Duration- length in time (short clap or held note)
4. Timbre (pronounced 'tamber')- quality or tone color
examples: nasal, scratchy, clear, sharp, fuzzy
guitar vs. flute
Form
-The structural organization of a piece: how it unfolds
-Do sections repeat throughout the piece? Are sections similar or different?
-Contrast, repetition, variation
examples: Strophic form: same melody in each stanza but different lyrics
Verse Chorus: verse (furthers the story), chorus (same melody and lyrics), bridge (different melody and lyrics)
Binary (AB): two contrasting sections such as a verse and chorus AABA: the melody repeats after a contrasting one
Call and response: one person plays/sings and a chorus responds with identical, similar, or different rhythm or lyrics
AA (identical) AA' (similar) AB (different) part of non-Western cultures such as the Caribbean Basic 12 Bar Blues: AA'B (two similar and one contrasting)
Consonant ('with sound'): agreeable
Dissonant ('against sound'): disagreeable
-What is consonant or dissonant varies for different people/cultures
Instruments
Lamellophone: an idiophone with plucked keys arranged in a fan pattern
-the metal keys vibrate
-number of keys and thickness of keys varies
-lowest pitch is in the center
1. Aerophone: instrument that produces sound by the vibration of a column of air subsets:
1. lip vibrated—trumpet
2. mouth hole--flutes (transverse--held to the side), clarinet
3. reed--single and double, sounds squeaky like a snake charmer
2. Idiophone: instrument that produces sound by the vibration of the body of the instrument. Sound is not modified by string or skin.
examples: gong, musical saw, calimba, shaker
-Idiophones can be rubbed or struck--the activation doesn't matter but what is being vibrated
3. Membranophone: vibration of a skin (membrane)
example: drum, which can be struck or rubbed
varies by number of skins, how skin is stretched, its tautness, whether the drum is closed or open bottom or double/single headed
4. Chordophone: vibration of a string (chord)
example: piano
subsets:
1. zither: strings are stretched between two ends of a flat body
often hammered or plucked, not usually bowed
2. lute: strings are stretched between a neck and body
examples: ukulele, guitar
number of strings varies
3. lyre: strings stretch from a yoke (crossbar with two side arms) to a body 4. harp: body with a triangular frame--strings stretch perpendicular to the body example: bow
-Determine an instrument's class through elimination:
example:
No string
No skin
No blowing
It's an idiophone
Musical Textures
Texture
-can be felt or seen
-In music, it is the pattern of sound created by elements (voice, melody) of a musical work. -elements are the number of parts, and the texture is how these parts relate to each other -Density: how thick or thin
thick: multiple layers of sound or very active sound
thin: few to no layers, little action
Four musical textures:
1. Monophonic
-single part music; one sound
-melody alone, no accompaniment
-many voices in the same pitch are monophonic
2. Heterophonic
-single part music performed by two or more people with slight variation
- two or more versions of a melody performed simultaneously
3. Homophonic
-multi-part music with one dominant part
-melody with accompaniment
4. Polyphonic
-multi-part music with no dominant part
-all parts are equal
Features of Sub-Saharan African Music
1. Interlock: fitting one idea (such as pitch or rhythm) into the spaces left by another to create a whole -like jigsaw puzzle—the pieces fit in spaces left by other pieces
-sometimes overlap, mainly not
2. Call and Response: alternation of leader and chorus parts or vocal and instrument parts -the most basic form of interlock