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SJSU - HIST 72 - Study Guide for Midterm - Study Guide

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Schools > San Jose State University > Engineering > HIST 72 > SJSU - HIST 72 - Study Guide for Midterm - Study Guide

SJSU - HIST 72 - Study Guide for Midterm - Study Guide

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background image Design ​ ​in​ ​Society-72  Need ​ ​to​ ​know​ ​the​ ​Artist/Designer,​ ​Title,​ ​medium,​ ​and​ ​date  Chapter  1: Royal Demand of Louis XIV and the Control of Production,1700-1800  1.1- ​ ​Charles​ ​Le​ ​Brun,​  Louis XIV Inspecting the Gobelins Manufactory​,​ ​tapestry,​ ​c.​ ​1662-78  ● Le ​ ​Brun​ ​served​ ​as​ ​“dictator”​ ​of​ ​the​ ​Gobelins  ● Craftsmanship ​ ​in​ ​furniture-making​ ​popular​ ​at​ ​this​ ​time  ● Tapestry ​ ​reinforces​ ​visually​ ​the​ ​social​ ​prestige​ ​and​ ​political​ ​power​ ​associated​ ​with​ ​the  arts  1.2-Domenico ​ ​Cucci,​ ​cabinet,​ ​pine​ ​and​ ​oak​ ​with​ ​ebony​ ​veneer,​ ​set​ ​with​ ​pietra​ ​dure​ ​plaques​ ​with  gilt ​ ​bronze​ ​mounts,​ ​1683-4  ● Cabinet ​ ​over​ ​9​ ​ft​ ​tall,​ ​utilizes​ ​the​ ​most​ ​precious​ ​raw​ ​materials  ● Conspicuous ​ ​consumption  1.3- ​ ​Jules​ ​Hardouin-​ ​Mansart,​ ​Palace​ ​of​ ​Versailles,​ ​Hall​ ​of​ ​Mirrors,​ ​1678-1684  ● Connected ​ ​the​ ​king’s​ ​private​ ​apartments​ ​with​ ​the​ ​palace​ ​chapel​ ​and​ ​was​ ​used​ ​for​ ​visitors  to ​ ​await​ ​royals,​ ​dancing​ ​and​ ​lingering  ● Hall ​ ​of​ ​Mirrors​ ​reflects​ ​the​ ​“natural”​ ​world​ ​outside​ ​the​ ​windows  ● Mirrors ​ ​manufactured​ ​at​ ​St.​ ​Gobain​ ​in​ ​Paris  ● Mirrors ​ ​very​ ​expensive​ ​at​ ​this​ ​time=shows​ ​status   1.5- ​ ​Fran​cois​ ​Boucher,​ ​​The  Chinese Fair,​​ ​tapestry,​ ​1742  ● Depicts ​ ​series​ ​of​ ​well-dressed​ ​figures​ ​examining​ ​a​ ​variety​ ​of​ ​merchandise​ ​along​ ​a​ ​road  ● Chinoiserie: ​ ​westerner’s​ ​perception​ ​of​ ​products​ ​brought​ ​to​ ​the​ ​west​ ​by​ ​travelers​ ​and  merchants  1.6- ​ ​Philippe​ ​de​ ​LaSalle,​ ​pattern​ ​for​ ​a​ ​dress​ ​fabric,​ ​silk,​ ​c.​ ​1770  ● LaSalle’s ​ ​designs​ ​employ​ ​floral​ ​and​ ​bird​ ​motifs​ ​in​ ​a​ ​pictorial​ ​style  1.7- ​ ​Jean-​ ​Claude​ ​Duplessis,​ ​pot-pourri​ ​container​ ​in​ ​the​ ​shape​ ​of​ ​a​ ​masted​ ​ship,​ ​soft-paste  porcelain, ​ ​c.​ ​1761  ● Soft-paste ​ ​porcelain​ ​is​ ​a​ ​clay​ ​material​ ​with​ ​a​ ​glass​ ​component  ● Pot-pourri ​ ​holds​ ​fragrance   1.11-Grand ​ ​Salon,​ ​Hotel​ ​de​ ​La​ ​Bouexiere,​ ​Paris,​ ​c.​ ​1735 
background image 1.13- ​ ​Charles​ ​Percier​ ​and​ ​Pierre​ ​Fontaine,​ ​interior,​ ​from​ ​​Recueil  des decorations  interieures, ​1812(first​ ​published​ ​1801)  ● Inspired ​ ​by​ ​the​ ​study​ ​of​ ​Greek​ ​as​ ​well​ ​as​ ​Roman​ ​imperial​ ​art  1.14- ​ ​Page​ ​from​ ​Virgil’s​ ​Bucolica,​ ​Pierre​ ​Didot,​ ​1798  ● Serif: ​ ​a​ ​small​ ​line​ ​attached​ ​to​ ​the​ ​end​ ​of​ ​a​ ​stroke​ ​in​ ​a​ ​letter​ ​and​ ​x-height​ ​is​ ​height​ ​of​ ​a  lower-case ​ ​ascender.​ ​It​ ​matches​ ​the​ ​height​ ​of​ ​an​ ​upper-case​ ​letter  1.15- ​ ​Specimen​ ​of​ ​Ducale​ ​in​ ​three​ ​weights,​ ​detail​ ​from​ ​​Manuale  Tipografico del cavaliere, ​​1818  Baroque ​:​ ​begun​ ​late​ ​16th​ ​century​ ​Italy,​ ​took​ ​Roman​ ​vocab​ ​of​ ​renaissance​ ​architecture  and ​ ​used​ ​it​ ​in​ ​rhetorical​ ​and​ ​theatrical​ ​fashion  Rococo ​:​ ​luxurious,​ ​frivolous​ ​sensual​ ​and​ ​clever,​ ​was​ ​a​ ​style​ ​developed​ ​by​ ​craftspeople  and ​ ​designers,​ ​rather​ ​than​ ​architects,​ ​this​ ​helps​ ​explain​ ​the​ ​importance​ ​of​ ​hand-worked  decoration  Neoclassicism ​:​ ​style​ ​that​ ​emerged​ ​in​ ​Britain​ ​and​ ​France​ ​in​ ​the​ ​1750s,​ ​artists​ ​and  architects ​ ​sought​ ​to​ ​create​ ​and​ ​eternally​ ​valid​ ​‘true​ ​style’​ ​that​ ​could​ ​be​ ​expressed​ ​across​ ​all​ ​states  of ​ ​art  Chapter  2: The Expanding Market and Entrepreneurialism in Britain and France  2.1- ​ ​Anonymous,​ ​​A  Cabinet-Maker in His Office,​​ ​oil​ ​on​ ​canvas,​ ​1770  ● Cabinet ​ ​maker​ ​is​ ​not​ ​depicted​ ​as​ ​a​ ​craftsman​ ​in​ ​working​ ​attire​ ​but​ ​rather​ ​as​ ​a​ ​gentleman  wearing ​ ​breeches,​ ​a​ ​wig,​ ​and​ ​stockings  2.2-Thomas ​ ​Chippendale,​ ​Gothic​ ​chair,​ ​detail​ ​of​ ​plate​ ​from​ ​​The  Gentleman’s and  Cabinet-Maker’s  Director, ​​1754  ● His ​ ​designs​ ​show​ ​a​ ​preference​ ​for​ ​contemporary​ ​French​ ​taste​ ​in​ ​the​ ​style​ ​of​ ​Louis​ ​XV,  but ​ ​the​ ​illustrated​ ​plates​ ​in​ ​the​ ​​Director ​​ ​include​ ​variations​ ​of​ ​this​ ​style​ ​such​ ​as​ ​chinoiserie  as ​ ​well​ ​as​ ​furniture​ ​with​ ​decorative​ ​features​ ​based​ ​upon​ ​the​ ​Gothic​ ​style​ ​in​ ​architecture  2.3- ​ ​Thomas​ ​Chippendale,​ ​Chinese​ ​chairs,​ ​detail​ ​of​ ​the​ ​plate​ ​from​ ​​The  Gentleman’s and  Cabinet-Maker’s  Director, ​​1754  2.4- ​ ​Thomas​ ​Johnson,​ ​wall​ ​light,​ ​mahogany​ ​and​ ​painted​ ​pine,​ ​1758  ● Many ​ ​of​ ​Johnson’s​ ​work​ ​demonstrate​ ​originality  2.6- ​ ​Josiah​ ​Wedgwood,​ ​the​ ​Portland(Barberini)​ ​vase,​ ​black​ ​jasper​ ​ware,​ ​c.​ ​1790 

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School: San Jose State University
Department: Engineering
Course: Design in Society
Professor: Jan Thompson
Term: Fall 2016
Tags: Art and history
Name: Study Guide for Midterm
Description: This study guide covers the images for the exam
Uploaded: 10/13/2017
6 Pages 50 Views 40 Unlocks
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