Description
Art History Exam 2 Study Guide
Link to artwork flashcards:
https://quizlet.com/_4nadsf
Quotes:
Bellori on Caravaggio, 1672
In reference to Caravaggio’s ‘Penitent Magdalene’, c. 1594, oil on canvas
“…[Caravaggio] recognized no other master than the model, without selecting from the best forms of nature- and what is incredible, it seems that he imitated art without art”
“…he made no attempt to improve on the creations of nature. He painted a girl drying her hair, seated on a little chair with her hands in her lap. He portrayed her in a room, adding a small ointment jar, jewels and gems on the floor, pretending that she is the Magdalene.”
“Moreover, he claimed that he imitated his models so closely that he never made a single brushstroke that he called his own, but said rather that it was nature’s. Repudiating all other rules, he considered the highest achievement not to be bound to art…The moment the model was taken from him, his hand and his mind became empty.”
Michelangelo on Flemish/Dutch art:
Dutch paintings are painting without art, just copying, no convention, criticizes lack of subject hierarchy
Terms to Know:
Protestant Reformation: 16th century movement for religious reform- initiated by Martin Luther and John Calvin arguing against people paying indulgences (to be forgiven for their sins) to the Catholic Church, preaching that one is saved by grace and that salvation is not earned by good deeds but is received only as a free gift of God’s grace through faith in Jesus, this challenged the Pope in saying that the Bible is the only source of divinity rather than the Pope himself
Counter Reformation: following the devastating loss of congregants’ due to the Protestant Reformation, the Catholic Church launched a major artistic response to win converts back, the art depicted the common man as saints or other important religious figures to personalize religion Don't forget about the age old question of econ 203 umass
2nd Commandment: “Thou shalt not make unto thee any graven image”
Martin Luther: started the Protestant Reformation- argument
against clerical abuses, especially the selling of indulgences (Church-granted time off of your stay in Purgatory)
Icon: a special kind of work of art (painting), object that has a special/closer connection to the people that are represented
idol/idolatry: worship of an art/object rather than what it represents (when you pray to a thing or an idol like a painting or statue of a God)
easel painting: painting executed on a portable support typically at a 20 degree angle, as opposed to a fresco wall painting
on commission vs. on speculation foreshortening: commission is paid by someone very important and made specifically for the buyer, speculation is hoping that someone in the public will like their work and buy it in the market
chiaroscuro: technique used to create a 3D appearance where lighter surface appears closer and darker surface appears further away, Italian term which describes the dramatic effect of contrasting areas of light and dark
decorum: principle of art that says an artwork must not show too much emotion of violent action, but should contain a variety of gestures and colors
emulation: means to respect someone before you and almost leads you to copy something that they did, honoring and competing with the master act of a very confident artist
Ovid’s Metamorphoses: epic poem written by the Roman poet Ovid which tells us the only things that are eternal are things of art, four stages of mankind: gold, silver, bronze, iron. It is a collection of mythical tales based on the theme of ‘change’. Don't forget about the age old question of the ability to perform moderate to vigorous levels of activity and respond to physical demands is known as
relic/reliquary: object in church that was owned by someone holy, hold a sacred status and cannot be treated like other
historical artifacts
iconoclasm: ideological destruction of art in churches by Protestants, this spread through Northern Europe- Netherlands experiences tons of this… the destruction was due to the belief that the images would encourage idolatry
Dutch Republic: artwork was not made for commission but made for the public and unsure if anyone would purchase it, middle class is the biggest part of the population and market for the art in the Dutch Republic. No longer made specific people the focal point because they had to aim for generally broader public, subject no longer the most important thing in art but had to make lots of paintings and not spend time on one painting per year like before. Being an artist here doesn’t require you to have connections within a Church because there isn’t one, paintings smaller and less intricate than paintings made on commission. We also discuss several other topics like psyc100 umd
Niche: specific sub-genre that people associate with you Italian vs. Dutch paintings:
Italian: metaphor of painting as window, painter is inventor and intellectual who can create something that could never exist in the world, clear hierarchy (body most important), world of painting is inventive and determined by viewer’s position If you want to learn more check out debbie coleman miami university
Dutch: metaphor of painting as mirror; painter is craftsman, captures things that already exist; no subject hierarchy, world has priority (exists before we paint it)
Conventions: a way in which something is usually done, has preexisting priority rules that artists follow (ex. landscapes: low horizon, sky main subject, silhouette across horizon)
Dutch Brazil: artistic representations of Brazilian people by Dutch artists, impossible to be accurate because of the Dutch period eye
absolute monarchy: a ruler who governs alone and is not restrained by laws, a constitution, or custom… one person holds all governmental power and doesn’t have to consult anyone else If you want to learn more check out a huge shopping strip with multiple anchor (or national) stores is referred to as a
Ancien Régime: political and social system under an absolute monarch in France before the many French Revolutions
divine right of kings: Role of King has been given by God, hereditary, no one has the right to question or overthrow him, the King has absolute power
Three Estates Rococo
1. clergy
2. Nobility
3. People (97%)
…people pay taxes and still have no rights, King is outside and higher than socio economic system, no social climbing (you are born into a social class and cannot move to another)
Royal Academy of Painting and Sculpture: (1648) school for most prestigious artists, set up rules on how a good artist should be trained, monopoly on patriarchy of the King, Boucher is a member- at this point the old rules have shifted, monopoly on the live nude model- only at academy that this is allowed, this makes them take for granted the history of paintings and makes them believe that they are supposed to be male bodies only If you want to learn more check out utd tb test
Académie: live nude male model paintings only available from the academy
Salons: first public exhibitions of high art from the Academy, socially inclusive art show, leads to art critics and art reviews, creates public discourse
Neoclassical: reviving ancient classical and renaissance roman
artistic styles through the academy
French Revolution (1789): people weren’t happy with the monarchy, French state is bankrupt because of the rich rulers, then the King puts heavy taxes on the third estate leading to a huge amount of unrest. The King eventually has to get rid of absolute monarchy because people hate it
Estates-General: parliament representation of 3 estates, but it wasn’t fair in these meetings for everyone, Reps of third estate find that the doors are locked and blocked off by soldiers and think they are being kicked out of the government
Saint-Domingue: French colony
Haitian Revolution: people who bought out or escaped, not against France as a state just slave owners
abolitionist prints: freedom characterized by gift given benevolence
Revolution of 1848: the socialist revolution
Realism: complete opposite of the platonic ideal; the attempt to represent subject matter truthfully, without artificiality- paints what you actually see with no embellishment of nature or illusion, doesn’t hide brush strokes to enhance feeling of 2D
avant-garde: art made with subjects not yet accepted by the mainstream public, ahead of the time
Salon des Refusés (1863): gallery where "bad" artwork was placed that did not make it into the actual salon; people visited to make fun of and laugh at the art failures; many avant-garde artists made it here
Titian, Venus d’Urbino: (1538)- promiscuous venus painting used by Manet to satirize and expose what is actually going on.
Soothe, comfortable, seduction…she is looking at us casually and just happened to be here and caught me here, she is looking at me but her head slightly tilted downward, two white maids casually in the background
Venus pudica: modest naked woman who draws attention to intimate parts of the body while subtly covering them and remaining modest
camera obscura: dark room camera, the natural optical phenomenon that occurs when an image of a scene at the other side of a screen is projected through a small hole in that screen as reversed and inverted image on a surface opposite to the
opening. (pinhole camera is a portable camera obscura)
daguerreotype: first commercially successful photographic process… metal made light sensitive with silver iodine, expose image to light and develop until it is done, very long exposure development, single image only- no copies are possible, takes human subjectivity out, objective, portraiture was almost not considered art since there is no creativity
Daguerre: French photographer, inventor and creator of Daguerrotype, became known as the father of photography.
carte de visite: “the first pocket photographs”- patented by Disderi, printing a photo over and over again, singular image in negative onto paper repeatedly, exposing the negative multiple times and is cheaper than a daguerreotype
Nadar: French photographer known for taking aerial photos of Paris and for his caricatures. Daumier mocks the new declaration that photography could be equal to “high art” below:
Anthropometry: refers to the measurement of the human individual- early tool of physical anthropology- has been used for identification, for the purposes of understanding human physical variation. Developed by Klein who employed female models as “living paintbrushes” for the paintings:
Paris Commune: radical socialist/revolutionary government that ruled Paris from March-May in 1871. Following the defeat of Emperor Napolean III and shaped modern France. Said to be the first example of working people (and students) taking their power.
Louise Sautin, female communard in prison, known as “petroleuses”:
Haussmanization (1850s-70s): demolition of medieval neighborhoods that were deemed overcrowded and unhealthy by the officials at the time. Included the construction of wide avenues, new parks and squares, the annexation of the suburbs surrounding Paris, and the construction of new sewers/fountains, etc. (early form of gentrification) (wasn’t all good because they forced poor families out of their homes before the demolition and upped the price of homes so many poor people couldn’t afford to return afterwards) see Charles Marville- before Haussmanization below…