Chapter 5 Part 1
Chapter 5 Part 1 MUS 200-0003
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This 1 page Study Guide was uploaded by Jenna Schneider on Tuesday October 6, 2015. The Study Guide belongs to MUS 200-0003 at James Madison University taught by Professor VIcki Curry in Summer 2015. Since its upload, it has received 93 views. For similar materials see Music In General Culture in Music at James Madison University.
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Date Created: 10/06/15
Chapter 5 Absolutism absolute control Louis 14 sun king believed in absolutism Science age of science where calculus was developed Isaac Newton Theater time of emotion Barogue 16001700 age of science 30year war absolutism Barroco irregular shaped negative term Basso Continuo bass driven chordal support a small accompanying ensemble of 2 instruments Harpsichord plays cord progressions and another instrument cello bassoon play bass line Caravaggio Madonna of the pilgrims Doctrine of Affections different musical moods could and should be used to In uence the amount of affection of the listener Figured Bass numbers beneath base line baseline with intended harmonies indicated by figured rather than written out as chords Gian Lorenzo Bemini ecstacy of ST Theresa baroque art David Monody solo singing an ode sung by a single actor Greek tragedy often virtuous emotional Chamber Cantata sung thing for solo voices and a few accompanying instruments lasting 812 minutes Chamber Music instrumental music played by a small ensemble Ostinato melody harmony or rhythm repeating m passive expansive tuneful song Tells us what characters are feeling Song like wide vocal range clear beat and meter Ground Bass repeating bass created a solid foundation or grounding in which a composition is built Heng Purcell 16591695 son of one of the kings organist at West Minsters abbey in London England Devoted much of his time to composing Libretto word of text that is snug in opera the text Monteverdi composed the 1St opera Lorfeo in 1607 Based on Greek Myths of Orpheus amp Eurydice Opera stage playdrama expressed through music A work Elaborate costumes and sets Overture introduction instrumental music Recitative musically heightened speech relative Simple Recitative sparsely accompanied recitative
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