Popular in African Repercussions
Popular in Music
This 2 page Study Guide was uploaded by Cayman Murphree on Monday October 12, 2015. The Study Guide belongs to MUNM 3313 at University of Oklahoma taught by Dr. Christine Souza in Summer 2015. Since its upload, it has received 81 views. For similar materials see African Repercussions in Music at University of Oklahoma.
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Date Created: 10/12/15
MUNM 3313 Study Guide African Repercussions Remember the required listenings There are a few examples that is played and multiple choice questions of the title country and genre Short Answer Seis mosty spanish type iabraquot similar to cowboys romanticizes rural gures from Puerto Rico Bomba most popular AfroPuerto Rican style Secular dance music 1820 slave uprising became marginal Plena creolized folkloric and commerical developed early 20th century popular after 19405 Political Song nlNueva Cancil39l song genres devoted entirely to politics 19605 and later social movements from Chile amp Argentina Protest Song issue of soverignty common wealth statues Statehood African Salve catholicism plus African in uence free tempo harmonically complex heightened religious state Haiti in uence Merengue creoized style at rst lewd lower class and simplistic eventualy powerful national symbol and most popular dance of 20th century Dominican Republic Rafael Truiillo popuist dictator 193061 forced in uence of merengue within common people Creolization formation of neocultures mixing of prominent elements complete blend accepted by all nationalism Europeans homogenous power stuck together others heterogenous subservient African Retentions rhythm syncopation poyrhythm cycica patterns call and response coective participation melodic use of drums multiostinado with improv
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