1: Art History - Study Guide
Popular in Art History
Popular in Art History
This 2 page Study Guide was uploaded by an elite notetaker on Monday December 1, 2014. The Study Guide belongs to 1 at a university taught by Carol in Fall. Since its upload, it has received 333 views.
Reviews for 1: Art History - Study Guide
Report this Material
What is Karma?
Karma is the currency of StudySoup.
You can buy or earn more Karma at anytime and redeem it for class notes, study guides, flashcards, and more!
Date Created: 12/01/14
History What it means Style Baroque 1600 Rome Catholic Church arts should communicate religious themes in direct and emotional involvement exaggerated motion and clear easily interpreted detail to produce drama tension exuberance and grandeur in sculpture painting architecture literature dance and music Impressive Triumphant Power exaggerated lighting intense emotions release from restraint and even a kind of artistic sensationalism NeoClassicism The only emotion shown is from the women who were allowed to feel while it was for the men to do their duty with heroic determination use of dull colors is to show the importance of the story behind the painting over the painting itself The brushstrokes are invisible to show that the painting is more important compared to the artist Rococo 18th century paris Antoine Watteau Court life moved away from Versaille during regence Playful artistic reaction to Baroque made strong usage of creamy pastellike colours asymmetrical designs curves and gold Cherubs and myths of love Romanticism 18001840 Eugene Delacroix liberty leading people revolt against aristocratic social and political norms of the Age of Enlightenment reaction to industrial revolution Focus on horror trepidation and awe in front of nature s sublime Realism After French revolution of 1848 revolt against exaggerated emotion or overall visual effects romantic movement Re Impressionism 19 century Claude Monet Pierre August Renoit Degas Manet Violated rules of academic painting Modern life outdoors En plein air focus on Small visible brushstrokes Depiction of light changing through time Colors not instead of detail Candid poses mixed vibrant Play on natural light Post Impressionism Vincent Van Gogh continued using vivid colours thick application of paint distinctive brush strokes and reallife subject matter but they were more inclined to emphasize geometric forms to distort form for expressive effect and to use unnatural or arbitrary colour Cubism background and object planes interpenetrate one another to create the shallow ambiguous space
Are you sure you want to buy this material for
You're already Subscribed!
Looks like you've already subscribed to StudySoup, you won't need to purchase another subscription to get this material. To access this material simply click 'View Full Document'