Test #3 study guide (Lecture/Reading)
Test #3 study guide (Lecture/Reading) ART_GNRL 1020
Popular in Appreciation of Art
Popular in Art
ART_GNRL 1020 - 05
verified elite notetaker
This 5 page Study Guide was uploaded by Emily sunshine on Friday October 30, 2015. The Study Guide belongs to ART_GNRL 1020 at University of Missouri - Columbia taught by Bonnie Kerridge in Fall 2015. Since its upload, it has received 57 views. For similar materials see Appreciation of Art in Art at University of Missouri - Columbia.
Reviews for Test #3 study guide (Lecture/Reading)
Report this Material
What is Karma?
Karma is the currency of StudySoup.
Date Created: 10/30/15
ART Test 3 103015 926 PM Print single impression Edition series of impressions Matrix original print surface usually woodmetal Artists proof AP 5 basic printmaking processes Relief linocut ex the tube train wood engraving Intaglio the print is carved into the plate Italian word for engraving Lithography Planographic print making process literally means stone writingquot no raised or depressed surface Silkscreen Andy Warhol tshirt print is silkscreen Monotype A single image simiar to paintingdrawing Jane Dickson Uses stippling Jane Wayne Giorgio Vasari Personification of painting middle ages renaissance Artemisia Gentileschi Self portrait allegory of painting representation of nature through artists imagination pigment powdered color binder holds color particles together solvent thinner for application ground surface primer Visual arts didactic function to teach religious ideals to elevate the mind to urge the contemplation of salvation 2 artists who did the Madonna painting Cimabue the teacher of Giotto Giotto Painting Types EncausUc pigment in hot wax binder 0 often used for funeral paitings Fresco 0 wall paintings often with religious meaning 0 on the walls in the churches in Italy 0 cave paintings India 0 Sistine Chapel Michelangelo The Libyan Sibyl Tempera 0 water pigment egg yolk cautious application 0 hatching cross hatching Water Color pigment suspended in water 0 quick drying transparentopaque Gouache mixing watercolor with white chalk everything becomes opaque Oil Painting 0 can be easily blended subtle changes of light realistic effects triptych 3 panels of oil on wood Collage Romare Bearden 0 Juan Gris still life with lobsterglaze on surface 103015 926 PM 103015 926 PM