Non-Western World Literature Week Two (January 20 & 22, 2016) Class Notes
Non-Western World Literature Week Two (January 20 & 22, 2016) Class Notes BIOL 10003
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This 2 page Class Notes was uploaded by Kaley Hicks on Friday January 22, 2016. The Class Notes belongs to BIOL 10003 at Texas Christian University taught by Dr. Sawey in Winter 2016. Since its upload, it has received 36 views. For similar materials see Contemporary Issues in Biology in Biology at Texas Christian University.
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Date Created: 01/22/16
Non-Western World Literature Class Notes: Week 2 January 20, 2015 Class Notes: Child’s perspective of a war story/dictatorship Mother is a drunk – narrator does not know this Dreamlike quality to the story Page 8 – “only the guilty live in fear” – this is really only applicable to a utopia and not in the context of chaos and corruption Normalized political fear: best thing to do is nothing Novel sets up at beginning: a regime like this is erasing the individual Why does it take so long for people to rise up? Fear must be willing to lose everything to challenge a system Dictator – Gaddafi – helped them escape colonialism originally but then later turned out to be a dictator (a big factor in the shift was paranoia) Narrator’s mother is “Sick” all the time = alcoholic happens whenever husband is gone – this was an arranged marriage Novel taking place in 1979 – narrator is about 9 or 10 years old – marriage must have happened when Gaddafi first came into power “A Thousand and One Nights” – Scheherazade In the above story: King finds his wife cheating on him -> he kills them both Scheherazade: daughter to the king’s advisor – she asks to marry the king – she tells a story but never finishes it for “A thousand and one nights” so he cannot kill her – using narrative to stabilize a region Why was there not a woman’s movement under Gaddafi? No king of movement could gain any traction Very anti-Islamist Governments = Egypt and Libya Rise in positive indicators: education and literacy, etc, but also a rise in negative indicators January 22, 2015 Class Notes: Narrative voice: how this influences the story We learn his age = 9 years old Narrator is the child of a dissident Page 52-mother is speaking to Moosa- emphasis on “our leaflets” – why is it being emphasized? Clear indication that parents are dissidents – starting to see that the mom is uncomfortable with what they’ve done Revolutions usually start with youth populations less to lose (no family/kids) ; recognize change needs to happen and they have time – do not want to surrender the rest of their life to a tyrannical regime Social contract is very one sided under these regimes – can work hard and not receive the proper reward Narrator can’t really figure out what is happening – haven’t heard him say the words dictatorship or tyranny Page 56 – narrator is trying to understand with poetry – poet is an Egyptian poet – very formulaic previously but this important poet is now writing free verse – Moosa says this poet is important – breaking away from tradition Can create beauty by defying tradition ; using poetry to talk about the taboo Lines of poetry: first three lines: giving us examples of what earth looks like around them: this military presence is a part of life Next lines: do you want to know everything? He is unsettled by poem because he is recognizing familiar things Next 3 lines: counterpart: before = fear of transparency and now fear of unknown Last 3 lines: a Faustian bargain = deal with the devil – is what you’re getting worth the exchange? Is temporary security/happiness worth the potential danger? Neighbor woman = government informant = the bargain for safety = no guarantee Idea of social contract and merit is all out the window Men come in to find Baba – Moosa is putting on a performance to get them to not search the house right at that moment Father comes home – not upset his books are burned – Suleiman is so confused How reliable is a 9 year old narrator? Children have a very direct line of cause and effect What do we actually know about this family? Very little – very certain there is a very confused child and that they live in Libya. In the book burning: he keeps a book: “Democracy now” Foreshadowing by the book burning ceremony – house is going to be searched – how is he going to interpret this cause and effect and his place within it? Narrator revisits the story of Scherazade – what happens to art under a dictatorship? Fear that art will lose its authenticity – has to be veiled in some way Smuggling of art and publication out of a country – Suleiman has seen smuggling of alcohol but his father is also buying all of these books which must be illegal We typically don’t associate the possibility of being arrested with creativity Different ways to view resistance: activism (protests) but then there is simply producing art that is contributing to the resistance What about others who are not actively doing things/creating things to resist a movement? Resistance as endurance – all doing is “Enduring” – survival – can survival itself be a form of resistance? Most of his experiences are shaped by absences Page 85 – “As I live now in the country that produced those films” suddenly a shift in temporal: we now know it is adult Suleiman that is narrating
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