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HER-H 100 Art Appreciation

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by: Sam Williams

HER-H 100 Art Appreciation HER-H 100

Sam Williams
GPA 3.467
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About this Document

These notes cover up to week 3.
Art Appreciation
Stephanie Doty
Class Notes
Art, art appreciation, Herron




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1 review
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"The content was detailed, clear, and very well organized. Will definitely be coming back to Sam for help in class!"
Joan Mayer II

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This 1 page Class Notes was uploaded by Sam Williams on Saturday February 6, 2016. The Class Notes belongs to HER-H 100 at Indiana University Purdue University - Indianapolis taught by Stephanie Doty in Winter 2016. Since its upload, it has received 57 views. For similar materials see Art Appreciation in Art at Indiana University Purdue University - Indianapolis.


Reviews for HER-H 100 Art Appreciation

Star Star Star Star Star

The content was detailed, clear, and very well organized. Will definitely be coming back to Sam for help in class!

-Joan Mayer II


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Date Created: 02/06/16
HER-H 100 Art Appreciation Weeks 1-3 VISUAL ELEMENTS PRINCIPLES OF DESIGN Line Unity and variety Shape (geometric or organic)/mass for Balance- 3D actual/symmetrical/asymmetrical Texture- actual/visual Emphasis/focal point Light and value Rhythm Color Scale Time and motion Proportion Vocab  Aesthetics- a branch of philosophy that deals with the nature, beauty and meaning of art, and our response to it  Ideology- an organized collection of ideas  Readymade- objects elevated from the commonplace to the position of art  Assemblage- art made and assembled from found objects  Pop-Art- art that utilizes the commonplace objects and visual clichés to make the viewer think twice about the symbols and objects that surround us  Fine art- art that is meant to be seen or experienced only on an aesthetic level  Applied art- art that serves some useful function in everyday life  Iconoclasm “image breaking”- the destruction of images in the name of spiritual purity  Static forms- forms that appear to be still and unchanging  Dynamic forms- forms that appear lively, moving, and changing, even though they are stationary  Value- refers to lightness or darkness of an area  Chiaroscuro- depiction of 2D work of the effects of light and shadow  Analogous colors- colors next to each other on the color wheel  Simultanist contrast- when compliment colors appear more intense when placed next to each other  Subversive texture- compels the viewer to think about it more deeply  Visual texture- simulated texture  Kinetic- actual movement  Composition- the act of organizing the visual elements within a work of art  Style- refers to a characteristic or group of characteristics that we recognize as constant, recurring, or coherent  Trompe l’oeil- fool the eye  Content- subject matter, elements, and composition and the underlying meaning  Iconography- the study of the themes and symbols in the visual arts


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