Film History Week 3 Notes
Film History Week 3 Notes FLME 2700
Popular in Film History
Popular in Arts and Humanities
This 1 page Class Notes was uploaded by JeanEricson96 on Friday September 9, 2016. The Class Notes belongs to FLME 2700 at Georgia State University taught by Dr. Harper Cossar in Fall 2016. Since its upload, it has received 6 views. For similar materials see Film History in Arts and Humanities at Georgia State University.
Reviews for Film History Week 3 Notes
Report this Material
What is Karma?
Karma is the currency of StudySoup.
You can buy or earn more Karma at anytime and redeem it for class notes, study guides, flashcards, and more!
Date Created: 09/09/16
09/07/16 Film History Editing – Making causality The editor is never on set, but is given all the clips to put together. The edits have to be disguised to get smooth flow. Single camera is traditional film. The transition helps with the continuity. Temporal = Time, shots are one single clip. Fades and Dissolves – Fades almost always passes time, Dissolves can mean something is happening at the same time or be a passing of time, as well. Plot is what the editor gives you, story are the actual events. Montage – quick cuts of events. Graphic match – similar shots are matched to make continuity. Edits have to be invisible. Long shots allow for more info to be given to the audience. Screen direction needs to be matched for continuity (left to right, up to down, etc.) The 180degree rule keeps causality for conversations and anything with shot/reversals. Eye line match shows what a character is looking at.
Are you sure you want to buy this material for
You're already Subscribed!
Looks like you've already subscribed to StudySoup, you won't need to purchase another subscription to get this material. To access this material simply click 'View Full Document'