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Film History Week 3 Notes

by: JeanEricson96

Film History Week 3 Notes FLME 2700


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About this Document

These notes cover Editing.
Film History
Dr. Harper Cossar
Class Notes
Film, film editing, editing, history
25 ?




Popular in Film History

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This 1 page Class Notes was uploaded by JeanEricson96 on Friday September 9, 2016. The Class Notes belongs to FLME 2700 at Georgia State University taught by Dr. Harper Cossar in Fall 2016. Since its upload, it has received 6 views. For similar materials see Film History in Arts and Humanities at Georgia State University.

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Date Created: 09/09/16
09/07/16 Film History Editing – Making causality The editor is never on set, but is given all the clips to put together. The edits have to be disguised to get smooth flow. Single camera is traditional film. The transition helps with the continuity.  Temporal = Time, shots are one single clip. Fades and Dissolves – Fades almost always passes  time, Dissolves can mean something is happening at the same time or be a passing of time, as  well. Plot is what the editor gives you, story are the actual events. Montage – quick cuts of  events. Graphic match – similar shots are matched to make continuity. Edits have to be invisible. Long shots allow for more info to be given to the audience. Screen direction needs to be matched for continuity (left to right, up to down, etc.) The 180­degree rule keeps causality for  conversations and anything with shot/reversals. Eye line match shows what a character is looking at.


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