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MUL 2010- Week 3 and 4 notes

by: Suseli Notetaker

MUL 2010- Week 3 and 4 notes MUL 2010

Marketplace > Florida Atlantic University > MUL 2010 > MUL 2010 Week 3 and 4 notes
Suseli Notetaker
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These notes can help you on the Chapter 2-5 test
History & Appreciation of Music
Kristina Timofeeva
Class Notes
Music Appreciation
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This 2 page Class Notes was uploaded by Suseli Notetaker on Saturday September 24, 2016. The Class Notes belongs to MUL 2010 at Florida Atlantic University taught by Kristina Timofeeva in Fall 2016. Since its upload, it has received 5 views.


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Date Created: 09/24/16
Renaissance (1450-1600)  “rebirth” of Humanism  Centers of Power shifted from church to curt  The fall of Constantinople 1453  The expulsion of the Jews and Muslims from Spain 1492  art o linear perspective  technology o invention of printing press 1440  Italy was the center of visual arts  John Dunstable o The English Sweetness  Burgundian School o The court of Philip the Good, Duke of Burgundy o Guillaume Du Fay (c. 1400-1474)  Renaissance Standards o Texture  Polyphonic  Four-voice  A capella o Sound Ideal: a homogenous blend of equal sounds  A capella choirs for sacred and secular music  Families of musical instruments  Franco-Flemish School o N. France and the “low countries,” Belgium and the Netherlands o Josquin des Prez (c.1440-1521)  Sacred music o Motet and mass  Josquin des Prez, Absolon, fili mi o Motet o Imitation o Tone painting/ text painting- music reflects the text  Missa Pange Lingua: Kyrie o Cantus firmus mass (based on a plainchant)  Corruption of the Church o Rise of movements  Martin Luther 1517.  England, King Henry VII  Music for services to reflect their values in vernacular us of instruments  Giovanni Pierluigi da Palestrina (c. 1525-1594) o Counterformation  Council of Trent (1545-1563) o Missa Papae Marcelli  “Savior of church music”  dedicated to Pope Marcellus II  Gloria  Polyphonic texture  Purity of harmony  Clarity of text o 104 masses and 450 other scared works  Secular Music o Genres  Italy- Madrigal  France- Chanson  England- Madrigal, Ballet, Lute Song o Characteristics  Sung by chamber choir  Tone/text painting – musical illustration of the text  Sung in vernacular  Usually more strongly rhythmic  Usually a capella  Sentimental or erotic text o Claudio Monteverdi (1567-1643)  Zefiro torna- Italian Madrigal o Clement Jannequin (ca. 1485-1560)  La Guerre- French Chanson o Thomas Weelkes (ca. 1575-1623)  A s Vesta Was From Latmos Hill Descending- English Madrigal from The Triumphs of Oriana o Thomas Morley  Now is the Month of Maying- ballet o PDQ Bach  My Bonnie Lass, She Smelleth from ˆThe Triumphs of Thusnelda o John Downland (1563-1626)  Fantasie for lute solo o Consort  Whole (instruments of the same type)  broken (instruments from various families) o Music intended for dancing o Favorite dances were  Pavane in slow duple meter  Galliard, in quick triple meter


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