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Week 5 Part One

by: Consuela Horton

Week 5 Part One Pers 2001

Consuela Horton
GPA 3.65

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About this Document

Notes about Post Colonial Theatre
Perspectives in International Drama: Theatre of the Oppressed
Dr. Frank Miller
Class Notes
25 ?




Popular in Perspectives in International Drama: Theatre of the Oppressed

Popular in Perspectives in the Creative Arts

This 2 page Class Notes was uploaded by Consuela Horton on Sunday September 25, 2016. The Class Notes belongs to Pers 2001 at Georgia State University taught by Dr. Frank Miller in Fall 2016. Since its upload, it has received 10 views. For similar materials see Perspectives in International Drama: Theatre of the Oppressed in Perspectives in the Creative Arts at Georgia State University.

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Date Created: 09/25/16
Monday, September 19, 2016 Post Colonial Theatre Post Colonial Theatre • Theatre by colonized or colonizing people that reflects the clashes of cultures in colonization • Derives from Post Colonial Theory - Argues the colonial experience has a significant impact on culture - Often credited to Frantz Fanon (1925-1961) He wrote Black Skin, White Mask (1952) about the ways Africans adjusted He wrote The Wretched of the Earth Psychiatrist from the Caribbean - The application of existentialism to colonization and race politics There are two ways of looking at the world Existence is what we live Existentialists say man existed and created God in his image Essence is what we think is right Essentialists say God created man in His image - To Frantz Fanon, race is a social construct Society determines what things are - Colonized are defined by the colonizers Blacks need to redefine what it means to be black by revolting against the stereotypes. - Doing theatre that represented their lives is revolting • Doing theatre about colonized and by colonized, undermine the stereotypes. • Colonizers otherizes people 1 Monday, September 19, 2016 • Itybridity - A tendency for the cultures to merge - Colonized do it to survive and used it as their own 2


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