FA 202 Week 7 Notes
FA 202 Week 7 Notes 202
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This 3 page Class Notes was uploaded by McKenna Laskey on Saturday February 27, 2016. The Class Notes belongs to 202 at Washington State University taught by Hallie Meradith in Spring 2016. Since its upload, it has received 9 views. For similar materials see World Art History II in Fine arts at Washington State University.
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Date Created: 02/27/16
FA 20201: World Art History II Week VII Notes 2/26/16 Borough period Caravaggio o Contarelli Chapel The Calling of St. Matthew Spiritual undertone Christ has a halo but only in certain lights Hand pointing (like Michelangelo’s The Creation of Adam) o Adam is responsible of the fall and Christ of redemption o Cerasi Chapel The Conversion of St. Paul o Entombment Antireformation Mourning Hysteria to death from top to bottom The virgin is painted as an old woman Death looks like sleep Artemisia Gentileschi o Judith and Her Maidservant with the Head of Holofernes Tenebrism (stark contrast of light and dark) o SelfPortrait as the Allegory of Painting (La Pittura) The painter was a woman!! Maderno, Façade for St. Peters o Drama and theatricality o The space is supposed to dwarf you o The church has “arms” that are supposed to embrace the people o Similar to a Tuscan temple Bernini. Baldacchino Borromini, Church of San Carlo alle Quattro Fontaine (St. Charles at the four Fountains) Francesco Borromini. Façade of San Carlo alle Quattro Fontaine Piazza Navona, Rome, with Francesco Borromini, Sant’Agnese Gianlorenzo Bernini o David During the battle Very dramatic The borough period had lots of theatricality and drama Participation with the viewer is central Intense expression o The Ecstasy of St. Theresa St. Theresa supposedly had visions, one where she was being stabbed in the heart by an angel while swooning; which is what the subject of this piece is
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