Week 10 Notes
Week 10 Notes Art His 23
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Art His 23
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This 2 page Class Notes was uploaded by Sarah Doberneck on Monday March 14, 2016. The Class Notes belongs to Art His 23 at University of California - Los Angeles taught by Dr. George Baker in Winter 2016. Since its upload, it has received 26 views. For similar materials see Modernism in Art History at University of California - Los Angeles.
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Date Created: 03/14/16
March 8, 2016 Francis Picabia, Dance at the Spring, 1912 very large painting Cubist, fleshly pink colored hues Marchel Duchamp, Nude Descending a staircase, 1912 Robotic, machinic form Picabia, Dance at the Spring, 1912 & The Spring, 1912 Begins to paint massce paintings Browns and blacks with some sort of skin tones Image of the body Picabia, The Procession, Seville, 1912 Our eyes dive down, if not into the painting Picasso, Houses of a Hill, Horta de Ebro, 1909 Set in spain like picabia’s They hated each other, critique each others cubism at this point Language of contradiction between Excessively physical and bodily with the absence of any of these things Picabia, The City of New York.., 1913 Water colors-pink hues Its as if he is saying “my painting is phenemlogical” and interacts with the body not just depicts it Rotated painting to make it more incomprehensible Duchamp, Bride stripped by.. He made the 3 non squares by the physical action of copying the shapes a veil made in the wind Somewhat by chance Hans Arp, Collage arranged According to the Laws of Chance, 1916-1917 Constructed by tearing construction paper into canvas Anti artistic, anti cultural Trying it to the world Duchamp, Bride… Sent his work to an exhibition and on the way back it completely shattered He abandoned this work in 1923 Physical prodecures: opening to the world, letting dust gather on it Picabia, Egoist and Polygamy, 1918 Deeply indexical kind of art Seems to be abstract drawings Picabia, The holy virgin & THe Young Girl. 1920 Contradiction between chance and purposeful creation Questioning the cliché of how sexuality and gender are presented Whoredom and promiscuity Miro, The Birth of the World, 1925 & Andre Masson, Figure, 1927 The line created by chance Gives it over to the world and to that which is unknowable within ourselves Picasso, Guernica, 1937 Reaction to modern military events Modermisn retyrning to history painting but no longer through the mimetic Reembraced monochromatic colors Wounded bodies, mostly women & children Modernism After impressionism: Calls for no more galleries Picasso sees the endless themes of violence in classical works
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