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MUH 2019 Feb 22- Feb 26 participation sheets

by: Heya_Lanayia

MUH 2019 Feb 22- Feb 26 participation sheets MUH 2019

Marketplace > Florida State University > Music > MUH 2019 > MUH 2019 Feb 22 Feb 26 participation sheets
GPA 3.9
Modern Popular Music
Chris Orr

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About this Document

Participation sheet answers for the week Feb. 22nd- Feb 26th
Modern Popular Music
Chris Orr
Class Notes
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This 4 page Class Notes was uploaded by Heya_Lanayia on Monday March 14, 2016. The Class Notes belongs to MUH 2019 at Florida State University taught by Chris Orr in Spring 2016. Since its upload, it has received 47 views. For similar materials see Modern Popular Music in Music at Florida State University.


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Date Created: 03/14/16
Attendance Worksheet Monday February 22nd Late 1960s Countercultural Movement Guitar Heroes and Music Festivals Name at least 3 changes that accompanied the transition from rock n roll to rock in the late 1960s In reality the countercultural movement of the late 1960s was not a movement but rather a range of people with differing opinions on the and At the most foundational level the Beatles 1967 album Sgt Pepper s Lonely Hearts Club Band was innovative because it was conceived as a single work not a collection of songs In addition the album appealed to ideology of the countercultural movement because it addressed the as a creating the allure of a performance and inviting listeners to participate The scene in San Francisco s HaightAshbury neighborhood comprised one of the musical and ideological centers of the countercultural movement Which rock singer was considered to be the most important female performer in San Francisco at the time Oye Como Va was originally written by as a which combines big band instrumentation from swing with Cuban son rhythms and layered ostinatos Brie y describe the musical differences in Santana s cover version of Oye Como Va as compared to Tito Puente s original Why did moving to the United Kingdom help Jimmy Hendrix s career and what does this say about the relationship between public perceptions of rock and African American musicians at the time 9 39Jimmy Hendrix came to be known as a incorporating and aggressive dissonance At his Woodstock performance of The Star Spangled Banner Hendrix imitated and the playing of exemplifying the way in which his performances blurred the boundary between and Attendance worksheet Discussion Day Friday February 26th Ch 46 Festivals The Good the Bad and the Ugly 1 What broader cultural and political events do you think Csicsery is referring to when he says of the Altamont Festival It was over No explanation was needed only a feeble plea for someone in America to clean it up What does this statement imply in how the events of the Altamont Festival were interpreted by people at the time 259 Ch 49 Sly stone The Myth of Staggerlee 2 What is the musical and political relationship between James Brown and Sly and the Family Stone What musical innovations did Sly Stone s group incorporate into Funk that went beyond James Brown 270 According to Marcus how did Sly Stone s album There s 61 Riot Goin On impact black music over the two years following its release in 1971 4 How does Marcus think that Curtis Mayfield s soundtrack responds to the movie Super y How might this be a way of undermining the genre of 1970s Blaxploitation films Particularly through the song Now Freddie s Dead 275 5 How does Marcus connect the final scene from the film Across 110th Street With Stone s song Thank you for talkin to Me Africa How might this example help explain the pessimistic sentiment of Sly Stone s album Ch 51 Parliament Drops the Bomb 6 Brie y describe the musical lineage of George Clinton s music and the lineage of funk as outlined by W A Browner 286 7 What is Clinton s response to Rev Jesse Jackson s criticisms of his lyrics How does Clinton feel his music offers something uniquely helpful and positive for African American youth 288 8 How do you think Clinton s music fits into soul and funk s broader narrative of empowerment and Black Pride


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