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Art Of The Film

by: Rebecca Doyle Sr.

Art Of The Film ENL 200

Rebecca Doyle Sr.

GPA 3.57


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Class Notes
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This 2 page Class Notes was uploaded by Rebecca Doyle Sr. on Tuesday October 20, 2015. The Class Notes belongs to ENL 200 at SUNY College at Brockport taught by Staff in Fall. Since its upload, it has received 48 views. For similar materials see /class/225533/enl-200-suny-college-at-brockport in Foreign Language at SUNY College at Brockport.


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Date Created: 10/20/15
Program Notes for American Cinema 1 The Hollywood Style In the classical Hollywood film the story is primary Filmmakers rely on style structure narrative and visual elements to effectively tell their story Martin Scorsese and Sydney Pollack are among the premier directors Wno discuss how classical Hollywood style evolving and yet enduring over time informs their work 2 The Studio System 3 This program surveys Hollywood39s industrial past during the era of contract players and directors studio police forces and colorful movie moguls It also looks at the filmmaking environment of today with studio heads Michael Eisner Howard Koch and others Paramount Pictures one of the oldest and most successful of the Hollywood studios serves as a case study 3 The Star Greta Garbo Cary Grant Dustin Hoffman these among many others are names synonymous with Hollywood Early on Hollywood saw that recognizable talent could minimize the financial risks of film production Critics film scholars and studio publicists view the stars from many angles as marketing tools cultural icons and products of the industry Joan Crawford headlines as a case study of the cultural phenomenon of stardom 4 The Western The western is an American myth that has been translated by other cultures and reinterpreted time and again but never dies With clips and critical commentary on westerns from John Ford39s Stagecoach through the work of Arthur Penn Sam Peckinpah and Clint Eastwood the program traces the aesthetic evolution of the genre as well as its sociological importance 5 Romantic Comedy 4 Breezy and silly to witty and intelligent romantic comedies have been with us since the 1930s But the surface humor has often just barely masked issues of gender and sexuality This program looks back on screvxball comedies including It Happened One Night and His Girl Friday Directors James Brooks and Nora Ephron present interpretations of the genre that reveal the underlying social and psychological messages 6 The Combat Film 339 Beginning with World War II combat films produced under directives from the federal government this program examines the role of the combat film in filling a social and political need Critics and directors describe the evolution of these films the rise of the Vietnam film and the influence of the newsreel documentaries and TV news on the genre 7 Film Noir 339 These cynical and pessimistic films from the 1930s and 3940s touched a nerve in Americans Historians link the genre39s overriding paranoia to Cold Warrelated angst over the nuclear threat and the Hollywood blacklist In addition a cinematographer demonstrates the creation of noir lighting which gave films their peculiar look and emphasized the themes of corruption and urban decay 8 Film in the Television Age Television first arrived in American homes just as the Hollywood studio system was collapsing As the new medium took hold so did a new era of motion picture entertainment Top directors actors and film scholars trace the influence of each medium on the other from the live and fresh dramas of the Golden Age of Television and the growth of Hollywood spectacles to the megalithic entertainment industry of today 9 The Film School Generation 3 Maverick filmmakers of the 1960s and 3970s including Brian DePaIma Martin Scorsese and Steven Spielberg capitalized on new technology and borrowed from classical Hollywood and French New Wave as they reinvented the American film The financial and cultural forces that contributed to their success and commercial clout are explored 0 0 10 The Edge of Hollywood While many of the old rules are still in force independent filmmakers today often add their dissenting voices to the forum This program looks at some alternative visions from newtalents including Spike Lee Joel and Ethan Coen Jim Jarmusch and Quentin Tarantino V th limited budgets they are challenging the stylistic status quo of the Hollywood film 11 Film Language quotFilm Languagequot illustrates basic terms such as tracking shots and zooms and also provides a primer on editing technique 12 Writing and Thinking About Film quotWriting and Thinking About Filmquot provides a formal and cultural analysis of a classical film sequence It serves as a critical howto guide for those new to film critique 13 Classical Hollywood Today quotClassical Hollywood Todayquot offers interviews with contemporary directors European filmmakers scholars and critics as well as studioera veterans Wno probe Hollywood39s influence on both American and world culture


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