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1/20 notes

by: Hannah Schifman

1/20 notes HA 151

Marketplace > Kansas > Art History > HA 151 > 1 20 notes
Hannah Schifman
GPA 2.8
Western Art History II: Renaissance-Contemporary

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Western Art History II: Renaissance-Contemporary
One Day of Notes
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This 2 page One Day of Notes was uploaded by Hannah Schifman on Friday January 23, 2015. The One Day of Notes belongs to HA 151 at Kansas taught by Cateforis in Spring2015. Since its upload, it has received 48 views. For similar materials see Western Art History II: Renaissance-Contemporary in Art History at Kansas.

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Date Created: 01/23/15
o 4 basic types of arthistorical investigation 0 assessment of physical properties 0 analysis of visual or formal structure 0 identification of subject matter or conventional symbolism 0 integration and interpretation win cultural context 0 work 1 0 assessment oil and tempera on wood panel 54 14 x 43 58 condition the work s physical state 0 analysis artist s use of the elements of art and principles of design style shape 2D form 3D 0 space enclosed by a form is its volume 0 physical substance of a form is its mass modeling modulation of light and shade space win a work of art refers to actual or illusionistic depth depicted objects occupy positive space The space around is negative space picture plane flat surface of the picture picture space area behind pic plane 3 receding zones foreground middleground and background perspective creating the illusion of depth spatial recession through various pictorial devices overlapping man holding paper against column diminution spacial depth stacking vertical book closer to use lower to the window intuitive converging lines that are perp to picture plane that converge in the background 0 atmospheric sense in shift in lighting towards blue and blurring 0 linear more mathematical intuitive perspective color 0 3 main properties 0 hue attribute of the color by which it s discernible as green red etc 0 value color s relative degree of lightness of degreeness o intensitysaturation texture surface quality of the object balance depends on the distribution of the visual wt of objects colors textures and shape emphasis particular visual prominence to a certain parts of the design movement the pathways win the artwork traveled by the viewer s eye Such can be directed along lines axes and contours formal analysis all elements and principles in order to investigate o seeks to char the work s expressive content its meaningfulness o identification 0 integration


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