Week 4 Theory
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This 1 page Class Notes was uploaded by Amrita Gupta on Sunday February 1, 2015. The Class Notes belongs to MUS 132 at University of Oregon taught by Dr. Tim Pack in Winter2015. Since its upload, it has received 29 views. For similar materials see Music Theory II in Music at University of Oregon.
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Date Created: 02/01/15
12615 16th century counterpoint vs 18th century counterpoint 16th is more strictly based on harmonic syntax eX don t leap down to 7th the 7th must go down by a step Chord structure Tonic predominant to dominant dominant to tonic EX in the key of b an A major chord would not be written as a VII chord It would be written as a VIII Reason you wouldn t go from VII to i Bach is temporarily emphasizing a different key D and A major is the V chord of that key 12815 Exam chapters 911 16th vs 18th century counterpoint 5 species Recognize dissonances canbiata suspensions Recognize passing tones neighbor tones unaccented Roman numeral analysis implications of chord with only two voices closedopen cadences harmonies imitation
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